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People have been asking me which TED talks I’d recommend from this year, so here’s a quick rundown. I’ll start with the predictably excellent, and work my way towards the lesser-known but equally wonderful.

Larry Lessig was rousing, talking about the corrupting influence of money on American politics, which he characterizes as the root of many other problems. The talk was essentially a distillation of Republic Lost (and maybe also One Way Forward, which I haven’t yet read). Great at laying out the problem and rallying people to want to help fix it, but if you’re expecting solutions you might be disappointed — he doesn’t really chart a specific path forward, but instead points towards existing groups he says are doing good work. His talk isn’t up yet, but here’s the TED blog post.

Sugata Mitra is the “hole in the wall” guy who famously set up computers for kids to use in nooks and crannies of Delhi slums — and in so doing, proved that kids with internet access could teach themselves difficult subjects, even if they didn’t know English. This year he won the TED prize, which he’s going to use to build a virtual school staffed by volunteer “grannies” — retired schoolteachers around the world whose job is to “ask good questions and then admire the answers.” Here’s his talk.

I’d never seen Peter Singer before, and I enjoyed his thoughtful, logical talk about how to practice altruism effectively. There are lots of people who believe it’s important that public service be a significant part of everyone’s life, not just a sideline. (Like, uh, me.) So I was surprised when Singer argued that rather than taking a public service job, it might be more effective/better for a smart young person to take a highly-paid corporate job and earmark a substantial part of their salary for charity. Not a new idea, but unexpected, at least for me, from Singer. No video yet but here’s the blog post.

Dan Pallotta, who I’ve been reading for years, gave a gorgeous, measured, elegant talk about popular beliefs that inhibit the effectiveness of the non-profit sector. I don’t agree with everything he says, but his debunking of the usefulness of “overhead ratios” is dead-on and so necessary. When Erik Moeller and I were new to the non-profit sector back in about 2007, we learned about overhead ratios together and were horrified by how self-evidently useless (and obviously gameable) they are: Pallotta was one of the first sources we found that made any sense on the topic. I’ve been gratified to see his ideas get more broadly accepted over time, and I hope this talk is influential. Video’s not up yet; here’s the blog post.

The standout performance at TED this year for me was Amanda Palmer, who was spectacular. I’d loved her Kickstarter video pre-TED, and her TED talk didn’t disappoint. I know she’s controversial (she was criticized for continuing to ask local musicians to join her tour dates for free, even after making 1.2 million dollars through Kickstarter), but her message is solid regardless of the controversy. “The question isn’t how to make people pay for music: it’s how to let them pay for music.” Lots of joy and love and affirmation in her talk.

Pre-TED, I hadn’t seen Vancouver poet Shane Koyczan‘s YouTube version of his spoken-word poem To This Day, about poverty and bullying and class and the shaming of little kids. The YouTube version was animated by more than 80 volunteers and has been watched more than six million times since being posted in February — I watched it post-TED, and to be honest I prefer the TED version. (Maybe for the same reason I like books and radio better than TV — I’d rather make up my own pictures than watch somebody else’s.) The TED video’s not up yet, but the blog post about it is here.

OLPC co-founder Mary Lou Jepsen gave a great talk. Even though it was only an aside, I loved when she said, about self-medicating post-brain-surgery to become hormonally equivalent to a man in his early twenties: “I was angry all the time. I thought about sex all the time. I thought I was the smartest person in the entire world. It gave me a new appreciation for men.”[*] Her talk’s not up yet, but here’s the blog post.

University of Maryland president Freeman Hrabowski gave a beautiful barnstormer about his work helping minority students achieve graduate degrees in STEM. No video yet but here’s the blog post.

Beijing artist Liu Bolin, also known as the Invisible Man, showed slides of his work while speaking through through a translator. Liu goes to places like supermarkets and city exteriors, where he poses against the scenes and is painted in a painstaking process by his assistants, so that he fades into the background. He describes the resulting photographs as a silent protest, meant to critique the social problems accompanying China’s economic development.

I’d never heard of British architect Alistair Parvin before TED, which surprises me now that I’ve seen his talk. As a young architect Parvin wanted to democratize architecture. His talk was about what’s called WikiHouse, an open-source construction set you can use to build your own house. No video yet, but here’s the blog post.

I’d never heard of Eleanor Longden before TED either. A British research psychologist who was diagnosed as paranoid schizophrenic at the age of 17 and who describes herself as someone who’s “been harmed by many people and remembers all their names” (I loved that phrase), she’s heard voices in her head for years, which she characterizes as not an “abstract symptom of illness to be endured, but a complex, significant and meaningful experience to be explored” and “a creative and ingenious survival strategy.” Video’s not up, but here’s the TED blog post.

Hyeonseo Lee, like 24,000 North Koreans before her, escaped to South Korea via China. In her TED talk she describes her own escape and that, a few years later, of her family members. I had just read Barbara Demick’s Nothing To Envy and Melanie Kirkpatrick’s Escape From North Korea, so I found this low-key talk fascinating. The TED video’s not up yet, but here is her video from TEDx Seoul.

Dutch ornithologist Kees Moeliker gave a very funny deadpan talk on his experience observing and documenting the first scientifically-documented case of homosexual necrophilia in ducks, for which he was awarded the 2003 Ig Nobel prize. Here’s the TED blog post.

[*] I edited the Mary-Lou Jepsen quote to add her final sentence, because it was pointed out to me that otherwise it might sound dismissive. Unintentional!

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Wikipedia editors in Washington DC at our annual conference (July 2012)

(This post is a very lightly-modified version of a piece that appeared in the L.A. Times this past weekend. I wrote it because at Newfoo I was describing Wikipedians to the Times op ed editor — she found it interesting, and asked me to write it up for her. It’s also in honour of Wikipedia’s 12th anniversary, which is tomorrow.)

Wikipedia is the encyclopedia anyone can edit (yes, even you!), but most people don’t think much about who does the work. With half a billion people around the world relying on Wikipedia for information, we should.

More than 1.5 million people in practically every country have contributed to Wikipedia’s 23 million articles. More than 12,000 new entries are created every day — eight in the last minute. The authors are poets and professors, baristas and busboys, young and old, rich and poor.

It’s crazy. An encyclopedia is one of humankind’s grandest displays of collaborative effort, with contributors from pretty much every ethnicity, nationality, socioeconomic background, political ideology, religion, sexual orientation and gender. The youngest Wikipedian I’ve met was seven, a boy in Tel Aviv who makes small edits to articles about animals and children’s books. The oldest I’ve met was 73, a retired engineer who writes about the history of Philadelphia, where he’s lived for half a century. My most recent cab driver in San Francisco, a middle-aged guy who I think was Eastern European, told me he edits, although I don’t know on what topics. I don’t know of a comparable effort, a more diverse collection of people coming together, in peace, for a single goal.

But beneath that surface diversity is a community built on shared values. The core Wikipedia editing community — those who are very, very active — is about 12,000 people. I’ve met thousands of them personally, and they do share common characteristics.

The first and most defining is that Wikipedians, almost without exception, are ridiculously smart, as you might expect of people who, for fun, write an encyclopedia in their spare time. I have a theory that back in school, Wikipedians were the smartest kids in the class, kids who didn’t care what was trendy or cool but spent their time reading, or with the debate team, or chess club, or in the computer lab. There’s a recurring motif inside Wikipedia of preteen editors who’ve spent their lives so far having their opinions and ideas discounted because of their age, but who have nonetheless worked their way into positions of real authority on Wikipedia. They love Wikipedia fiercely because it’s a meritocracy: the only place in their lives where their age doesn’t matter.

Wikipedians are geeky. They have to be to want to learn the wiki syntax required to edit, and that means most editors are the type of people who find learning technology fun. (It’s also because Wikipedia has its roots in the free software movement, which is a very geeky subculture.) The rise of the dot-com millionaire and the importance of services such as Google, Facebook and Wikipedia have made geekiness more socially acceptable. But geeks are still fundamentally outsiders, tending to be socially awkward, deeply interested in obscure topics, introverted and yet sometimes verbose, blunt, not graceful and less sensorily oriented than other people.

Nine of 10 Wikipedians are male. We don’t know exactly why. My theory is that Wikipedia editing is a minority taste, and some of the constellation of characteristics that combine to create a Wikipedian — geeky, tech-centric, intellectually confident, thick-skinned and argumentative, with the willingness and ability to indulge in a solitary hobby — tend to skew male.

Although individual Wikipedians come from a broad range of socioeconomic backgrounds, we tend to live in affluent parts of the world and to be relatively privileged. Most of us have reliable Internet connectivity and access to decent libraries and bookstores; we own laptops and desktops; we’re the product of decent educational systems, and we’ve got the luxury of free time.

Wikipedians skew young and are often students, concentrated at the postsecondary level. That makes sense too: Students spend their reading, thinking, sourcing, evaluating and summarizing what they know, essentially the same skills it takes to write an encyclopedia.

Like librarians and probably all reference professionals, Wikipedians are detail-obsessed pedants. We argue endlessly about stuff like whether Japan’s Tsushima Island is a single island or a trio of islands. Whether the main character in “Grand Theft Auto IV” is Serbian, Slovak, Bosnian, Croatian or Russian. Whether Baltimore has “a couple of” snowstorms a year or “several,” whether the bacon in an Irish breakfast is fried or boiled, whether the shrapnel wound John Kerry suffered in 1968 is better described as minor or left unmodified. None of this makes us fun at parties, but it does make us good at encyclopedia writing.

As befits an encyclopedia that anyone can edit, Wikipedians tend to be iconoclastic, questioning and curious. Wikipedia is a place where debate is a form of play and people are searching in good faith for the most correct answer. We’re credentials-agnostic: We want you to prove what you’re asserting; we take nothing on faith (and the article on “Faith” has ample footnotes). We’re products of the Enlightenment and the children of Spinoza, Locke and Voltaire. We oppose superstition, irrationalism and intolerance; we believe in science and reason and progress.

The most contentious topics on Wikipedia are the same as those in the rest of the world, like the Israeli-Palestinian conflict, global warming, intelligent design, the war on terrorism and people such as Adolf Hitler, Ayn Rand and Dick Cheney. We believe it’s not our job to edit Wikipedia so that it reflects our personal opinions; instead, we aim to be fair to all sides. Entries need to be neutrally stated, well-documented and verifiable. Editors are asked to avoid stating opinions, or even seriously contested assertions, as facts; instead, we attribute them to their source. We aim for non-judgmental language: We avoid value-laden words like “legendary” and “racist” and “terrorist.” If we don’t know for sure what’s true, we say so, and we describe what various sides are claiming.

Does this mean Wikipedia’s perfect? Of course not. Our weakest articles are those on obscure topics, where subtle bias and small mistakes can sometimes persist for months or even years. But Wikipedians are fierce guardians of quality, and they tend to challenge and remove bias and inaccuracy as soon as they see it. The article on Barack Obama is a great example of this. Because it’s widely read and frequently edited, over the years it’s become comprehensive, objective and beautifully well sourced. The more eyes on an article, the better it is. That’s the fundamental premise of Wikipedia, and it explains why Wikipedia works.

And it does work. On Dec. 17, 2001, an editor named Ed Poor started an article called “Arab-Israeli conflict” with this single sentence: “The Arab-Israeli conflict is a long-running, seemingly intractable dispute in the Middle East mostly hinging on the status of Israel and its relations with Arab peoples and nations.” Today that article is 10,000 words long, with two maps and six other images and 138 footnotes. It’s been edited more than 5,000 times by 1,800 people in dozens of countries, including Israel, Lebanon, Egypt, Denmark, Germany, Australia, Canada, Britain, the United States and Russia.

Since it was founded 12 years ago this week, Wikipedia has become an indispensable part of the world’s information infrastructure. It’s a kind of public utility: You turn on the faucet and water comes out; you do an Internet search and Wikipedia answers your question. People don’t think much about who creates it, but you should. We do it for you, with love.

From the collections of the Musée de la chasse et de la nature. Wikimedia Commons, CC-BY-SALots of Wikipedians are savants, geniuses, boffins. I am not, and I’m a pretty good Wikipedia contributor anyway — and you could be too. The purpose of this post is to show you how.

I usually start writing an article because I stumble across something interesting somewhere and want to find out more about it. If Wikipedia doesn’t already have an article, I’ll start one. That’s how I started the Wikipedia articles on the emo killings in Iraq, American chicklit novelist Laura Zigman, the type of prostitution known as survival sex, the Palestinian journalist Asma al-Ghul, and the healthcare industry practice of balance billing.

Here’s how to do it.

1.  Find a topic that interests you and which has either a bad Wikipedia article, or none at all. This is not hard, particularly if you fall outside the typical Wikipedian demographic (male, youngish, well-educated, and living in North America or Europe). There are lots of weak or missing articles on Wikipedia — here are a few: Handbag. The 17th century English Shoplifting Act. French curator Claude d’Anthenaise. American sociologist Rose Weitz. The hair treatment called marcelling. Sonic.net CEO Dane Jasper. The Marathi “bangle protection” ceremony Doha Jeevan. Mourning jewellery. The article on the Musée de la Chasse et de la Nature used to be pretty weak, until I fell in love with the museum on a trip to Paris, and then fixed it up.

2.  Google it. Wikipedia doesn’t care how smart you are, or how knowledgeable — it wants you to provide a reputable source for every statement you make. So if you say The Musée de la Chasse et de la Nature is housed in the Hôtel de Guénégaud, Wikipedia wants to know how you know that. I found that fact in Let’s Go Paris, the student-traveller guidebook published by Harvard, which I found by searching for the museum’s name in Google Books. In this case, I already knew where the museum was located, but I still needed to support it with a published reference.

Normally, when I’m researching a Wikipedia article, I get my best results from Google Books (preview results not snippet results) or Google Scholar. There are guidelines on Wikipedia about what sources are okay and what aren’t, but you don’t need to obsess over this: mostly, if you let common sense be your guide you’ll do fine. And if you mess up, a Wikipedian will likely fix your mistake.

3. Assemble your facts into a decent article. Most people do this in a text editor, and then dump it into the Wikipedia edit window once they’re nearly done. You get an edit window by typing this into the addressbar of your browser: http://en.wikipedia.org/w/index.php?title=*******&action=edit. Replace the asterisks with your title, in mixed case.

As you’re writing, you can look at other articles on Wikipedia to see how they’re structured (like this or this or this), but you’re free to do it however you like — there are no strict rules, and if you do it badly somebody will usually help make it better. Normally articles will contain some or all of the following sections: Overview, Background or History, the meat of the article which will have a section heading(s) appropriate to the subject-matter, References, Further Reading, and External Links. But an article can be considered complete even if all it contains is a paragraph or two of text, supported by a References section.

When you’re ready, paste your text into the edit window.

4. Add citations. This used to be really fiddly and irritating (and yes, I know, wiki syntax is not at all user-friendly, and yes we are working on it), but recently some lovely person made it easier.

Put your cursor right after the sentence you want to cite, then click cite. That’ll bring up a new set of options. Click templates then select which one you want –- if you’re unsure, choosing “web” is always safe. Fill out the little form that pops up and click insert. That’ll paste the appropriate wiki syntax into your article text. (Here is something I just figured out a few months ago: If you are adding a citation to a book, copy-paste the ISBN into that field first, then click the magnifying glass to its right. The rest of the form will auto-populate, yay!)

5. Make some final tweaks. Bold the first instance of your article title, like this: The Musée de la Chasse et de la Nature is a private museum of hunting and nature located in the IIIe arrondissement at 62, rue des Archives, Paris, France. Add double-square brackets around words you want to link to other pre-existing articles on Wikipedia – usually proper nouns are good candidates for this. Like this: In the Salon of the Dogs, a collection of gold dog collars throughout the ages is displayed alongside 17th-century portraits of [[Louis XIV]]’s pets and a small white version of the Scottie dog sculpture [[Puppy]] by contemporary American ceramic artist [[Jeff Koons]].

Once you’re happy, preview your article by clicking Show Preview at the bottom of the edit window, then fix anything that looks broken.

6. Then hit Save Page. And you’re done!

Here’s some further reading……

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I spent part of last weekend at Occupy Wall Street in Zuccotti Park, in New York’s financial district. It was a terrible weekend to be there, with the slush and snow making life pretty miserable for the protestors. Friends who’ve gone have reported a festival-like atmosphere with music and food and day-tripping families: what I saw was mostly just sodden people huddled in tents.

But it was fascinating, and I’m glad I went. You probably already know that the Occupy movement aims to operate via consensus decision-making, which makes it especially interesting to me because the Wikimedia projects operate the same way. OWS does it slightly differently though — because they’re making decisions via face-to-face interactions among large numbers of people, they use a variety of hand signals so that people can give simultaneous input without obstructing each other or interrupting speakers. Different gestures signal agreement and disagreement, the desire to raise points of process or ask clarification questions, and so forth.

As I watched the General Assembly, held at seven every evening, three things struck me as useful for the Wikimedia movement:

The “progressive stack” notion could help Wikimedia combat systemic bias in our projects. I want to immediately note here that the progressive stack is not uncontroversial in the Occupy movement: the New York General Assembly has agreed to use it, and is using it, but a couple of facilitators openly expressed ambivalence towards it. I am well aware that anything hinting at a progressive stack would be generally disliked in the Wikimedia movement, for lots of reasons.

The progressive stack is based in the premise that people who come from culturally dominant groups have throughout their lives been encouraged to speak, and rewarded for speaking, whereas people from other groups are more likely to have been ignored or silenced. Therefore, when GA participants line up in a “stack” to speak, the movement has agreed to privilege the marginalized by moving them forward, ahead of others. In practice this means that women, people of colour and gays and lesbians may get to speak before straight white men. You can read more about the progressive stack in this article from The Nation, this Feministing article, this discussion on the Occupy San Jose site and this discussion on Occupy Nashville.

I don’t flat-out love the progressive stack either: it’s obviously problematic. But it does strike me that it’s got application for the Wikimedia projects and our problems with systemic bias. I wouldn’t advocate that we give people from underrepresented groups a louder voice than others, or that they be given particular extra privileges of any kind. But I would recommend that if for example we’re arguing about a topic related to India, and there’s an Indian person in the conversation, given that we know Indian people are underrepresented on the projects, it would make sense for us to listen to that person extra carefully, since he or she would be bringing information we’d otherwise be likelier to miss. Same goes for women, and other underrepresented groups in our community.

I loved how the facilitators deliberately created space for new people by minimizing and making fun of their own contributions. The man who facilitated at my second GA did this explicitly, saying things like “I hate facilitating; I am really bad at it,” and “Nobody trained me to do this. I learned how to do it by reading magazines at Barnes and Noble, which means I don’t really know how to do it.” I thought that was great. In the Wikimedia projects, too often we do the opposite: we use impenetrable acronyms and jargon, sending the implicit (and sometimes explicit) message that there is a lot to learn, and you, the new editor, might not be quite up to the task. That’s a shame.

We used to create more space for new people: I remember Florence Devouard, then the chair of the Wikimedia Foundation Board of Trustees, telling me that in the early days of the French Wikipedia she used to deliberately make crappy messed-up pages full of misspelled words, so it was easy for people to imagine themselves making things better. I’m not advocating for that today, at least not in the large, mature Wikipedia language versions, but I do think that demystifying our work and making it clear that most policy is just common sense, would help new people to find us more approachable.

I loved how multiple random people in the assembly took personal responsibility for its success. Consensus decision-making can be frustrating, and a couple of times I saw angry people try to circumvent or ignore the process by interrupting or starting up side conversations. Every time that happened, someone in the crowd near the disruptive person would patiently, but firmly, explain the process and ask the person to respect it. I saw one woman do this repeatedly, and I was surprised to eventually figure out she’d only arrived at Zuccotti Park from California earlier that day, and didn’t have any prior experience with the Occupy movement. The fact that she felt empowered to help the GA succeed, and that she wanted to, reflected well on her — and also on the organizers.

By contrast in the Wikimedia movement, too often I see people stand silently aside while somebody else acts destructively. It’s most obvious on our mailing lists, where promising threads sometimes devolve into flame-wars and snark. When that happens in a thread I started, other people will often write me supportive e-mails off-list, wanting to commiserate about how awful so-and-so is, or how terrible the lists are. I appreciate those mails (really, I do!), and I have written a couple like that of my own. But it would be so much healthier for us all to take responsibility for creating a constructive space, rather than standing by as though we are helpless, while stuff is set on fire. That Californian woman was correct: it’s her movement too, and she has every right, and arguably a responsibility, to keep it from being damaged.

So those are three quick things I think the Wikimedia projects might usefully learn from the OWS movement. Please don’t write me angry comments about NPOV: I am not talking here about the substance of OWS: I’m talking solely about its process :-)

I’m writing this fast tonight, even thought I’m a bit of a jet-lagged wreck, because I’m in Paris kicking off a two week trip to Europe, and I’m hoping to visit the Occupy movement while I’m here. I know about Occupy London at St. Paul’s Cathedral, but I don’t know if there are ongoing protests taking place in the other cities I’m travelling to. If you know that there are protests happening in Paris, Utrecht, Vienna, Berlin or Hanover, please tell me in the comments where they are. I’d love to see how they are, or are not, different from the one in New York.

For some reason I can’t make the cutline show up (sleepy!) but the image at the top of this post was taken at Day 14 of Occupy Wall Street, by David Shankbone. The woman shouting in the foreground is still there, but now she’s wearing mittens and a parka.

For the past sixteen months, the Wikimedia Foundation has been having uncomfortable conversations about how we handle controversial imagery in our projects — including, a few weeks ago, the staging of a referendum on an image hiding feature requested by our Board. The purpose of this post is not to talk specifically about the referendum results or the image hiding feature: for that, I’ll be talking in more official venues. The purpose of this post is to step back and assess where we’re at, and to call for a change in tone and emphasis in our discussions.

Please note also that due to the nature of the topic, you may find yourself offended by this post, and/or the materials linked from it.

In March 2010, editors on the German Wikipedia ran a poll asking their colleagues whether they would support a rule restricting the types of material that could appear on the German home page. Thirteen voted in favour of restrictions, and 233 voted against. A few weeks later, the German Wikipedia featured the article about the vulva on its home page, which included a close-up photograph of an open vagina. Twenty-three minutes after the article went up, a reader in Berlin wrote “you can’t be serious?!,” and called for the image to be taken down. This initiated an on-wiki discussion that eventually reached 73,000 words – the length of a shortish novel. It included a straw poll in which 29 people voted to remove the image and 30 voted to keep it. The image was kept, and the article remained on the front page for its full 24 hours.

A few months later, in June, the Wikimedia Foundation Board of Trustees began to discuss how the Wikimedia community was handling controversial imagery. Why? Because some people seemed to be using Commons to stockpile commercial porn; because the German community had put a close-up photo of a vagina on its homepage; and because upskirt photos and controversial editorial cartoons seemed to be being categorized in ways that seemed designed to be provocative, and the people who complained about them were being shot down.

The Wikimedia Foundation was concerned that a kind of market failure might be happening — that the Wikimedia community, which is generally so successful at achieving good decision quality through a consensus process, was for some reason failing to handle the issue of controversial material well. It set out to explore what was going on, and whether we needed to handle controversial imagery differently.

That triggered community members’ fears of censorship and editorial interference. And so we find ourselves today, sixteen months later, locked in angry debate. At a meeting in Nuremberg a few weeks ago, German Wikipedian User:Carbidfischer furiously denounced our Board Chair Ting Chen. The other day –as far as I know for the first time ever– somebody called someone else an asshole on one of our mailing lists. User:Niabot created this parody image. It’s unpleasant and unconstructive, and if you’re familiar with transactional analysis, or with the work done by the Arbinger Institute, you’ll recognize the bad patterns here.

The purpose of this post is to figure out why we aren’t handling this problem well, and how we can get back on track.

So: backing up.

Is there a problem with how the Wikimedia projects handle potentially-objectionable material? I say yes. The problems that led the Board to want to address this issue still exist: they have not been solved.

So what’s the solution? I have read pages upon pages of community discussion about the issue, and I sympathize and agree with much of what’s been said. Wikipedia is not, and should never be, censored. It should not be editorially interfered with.

But refusing censorship doesn’t mean we have no standards. Editors make editorial judgments every day, when we assess notability of topics, reliability of sources, and so forth. The German Wikipedia particularly is known to have extremely rigorous standards.

So why do we refrain from the expression of editorial judgment on this one issue?

I think there are two major reasons.

First, we have a fairly narrow range of views represented in our discussions.

We know that our core community represents just a sliver of society: mainly well-educated young men in wealthy countries, clustered in Europe and North America. It shouldn’t surprise us, therefore, when we skew liberal/libertarian/permissive, especially on issues related to sexuality and religion. Our demographic and attitudinal narrowness is a shame because at the heart of the projects is the belief that many eyes make all bugs shallow and yet, we’re not practicing what we preach. Instead, we’ve become an echo chamber: we hear only voices like our own, expressing points of view we already agree with. People who believe other things fall silent or abandon the conversation or are reduced to impotent rage. Or, and even likelier, they never made it to the table in the first place.

Second, we are confusing editorial judgment with censorship.

Censorship is imposed from outside. Editorial judgment is something we do every day in the projects. Applying editorial judgment to potentially-objectionable material is something that honourable journalists and educators do every day: it is not the same as censorship, nor does it constitute self-censorship.

In newsrooms, editors don’t vote on whether they personally are offended by material they know their readers will find objectionable, and they don’t make decisions based on whether the angry letters outnumber the supportive ones. They exercise empathy, and at their best they are taking a kind of ‘balance of harm’ approach — aiming to maximize benefit and minimize cost. The job is to provide useful information to as many people as possible, and they know that if people flee in disgust, they won’t benefit from anything the newsroom is offering. That doesn’t mean newsrooms publish only material that’s comfortable for their readers: it means they aim to exercise good judgment, and discomfit readers only when –on balance– discomfort is warranted.

How does that apply to us? It’s true that when people go to the article about the penis, they probably expect to see an image of a penis, just like they do when they look it up in a reference book in their public library. It’s also true that they probably wouldn’t benefit much from a gallery of cellphone camera shots of penises, and that’s why we don’t have those galleries on our articles. In lots of areas, we are currently doing a good job.

But not always.

When an editor asks if the image cleavage_(breasts).jpg really belongs in the article about clothing necklines, she shouldn’t get shouted down about prudishness: we should try to find better images that don’t overly sexualize a non-sexual topic. When an editor writes “you can’t be serious?!” after vagina,anus,perineum_(detail).jpg is posted on the front page, the response shouldn’t be WP:NOTCENSORED: we should have a discussion about who visits the homepage, and we should try to understand, and be sensitive to, their expectations and circumstances and needs. When we get thousands of angry e-mails about our decision to republish the Jyllands-Posten Muhammad cartoons, we should acknowledge the offence the cartoons cause, and explain why, on balance, we think they warrant publication anyway. None of that is censorship. It’s just good judgment. It demonstrates transparency, a willingness to be accountable, and a desire to help and serve our readers — and it would earn us trust.

I believe that in our discussions to date, we’ve gotten ourselves derailed by the censorship issue. I know that some people believe that the Wikimedia Foundation is intending to coercively intervene into the projects, in effect overruling the judgment of the editorial community. I don’t see it that way, I regret that others do, and I dislike the ‘authoritarian parent / rebellious adolescent’ dynamic we seem to be having trouble resisting.

Wikipedia is not censored. It should never be censored. That doesn’t relieve us of the obligation to be thoughtful and responsible.

So: what needs to happen?

We need to have a discussion about how to responsibly handle objectionable imagery. That discussion doesn’t need to happen with the Wikimedia Foundation (or at least, not solely with the Wikimedia Foundation). The projects should be talking internally about how to avoid unnecessarily surprising and offending readers, without compromising any of our core values.

Those community members who are acting like provocateurs and agitators need to stop. Demonizing and stereotyping people we disagree with pushes everyone into extremist positions and makes a good outcome much less likely. We need to look for common ground and talk calmly and thoughtfully with each other, staying rooted in our shared purpose. Some editors have been doing that throughout our discussions: I am seriously grateful to those people, and I wish others would follow their example.

“Wikipedia is not censored” is true. And, we need to stop using it as a conversation killer. It’s the beginning of the conversation, not the end of it.

We need to set aside anxieties about who’s in charge, and quit fighting with each other. We need to be aware of who’s not at the table. We need to bring in new voices and new perspectives that are currently lacking, and really listen to them. Those community members who’ve been afraid to talk need to speak up, and those who’ve been driven away need to come back.

The purpose of this post is to call for that responsible engagement.

Like I said at the top of this post, my purpose in writing this is not to talk about the referendum results or the image hiding feature: for that, I’ll be talking in more official venues.

(I’m in Haifa this week at Wikimania, which is what prompted this post.)

There are two kinds of travellers — people who wing it, and compulsive hyper-rational utilitarian minimalists, like me. This blog post will bore or horrify the former group, but I hope it’ll be useful for the latter :-)

I travel with a small carry-on rollerboard, and yet I have what I need for pretty much any situation. That’s because I iterate — every time I have a problem on a trip, I refine how I pack so it never happens again.

And I have made a lot of mistakes. Running out of Sudafed once cost me half an afternoon in Amsterdam, where only one pharmacy is open on Sundays, and, by the way, pseudoephedrine is illegal anyway. Over the years I have forgotten and needed to hunt down all kinds of things, often in countries where I don’t speak the language. Out of sheer absent-mindedness, I have bought laptop power cables and phone batteries on no fewer than five continents.

But now I am pretty much optimized. Here’s what I do.

Use case #1: On the plane

On the plane, I’m space-constrained and weight-constrained, I’m either working or killing time, and my needs are totally predictable.

I always wear the same jacket with zippered pockets, with my passport and boarding pass in the left and my phone on the right. I never think about them because I know where they are.

My laptop and e-reader live in brightly-coloured neoprene sleeves, so I don’t leave them behind. A zippered pouch holds my earphones, plus a travel-sized power cable for my laptop, plus a phone charger. On night flights, I bring a tiny flexible-neck USB-powered light so I don’t irritate the people beside me by using the overheads.

I carry a ziploc bag that holds alcohol wipes, hand sanitizer, antiseptic ointment, paper napkins, pseudoephedrine, benedryl, ibuprofen, lip balm, a toothbrush and paste, mouthwash and a plastic spork. Most of that was recommended by Dan Pink, who gives excellent advice about how to keep from getting sick and jet-lagged on long flights.

The one thing I will never fly without is pseudoephedrine, because it’s illegal or restricted in many countries. If I get sick travelling and don’t have pseudoephrenine for my flights, I end up deaf and miserable for days afterwards. (Hello Lima, Nijmegen, Buenos Aires and Bangalore!) I’ve tried plenty of substitutes, and pseudoephedrine is the only thing that actually works.

If the box says PE, you know it does not work

Use case #2: Charging stuff

The first thing I do when I get settled in a hotel is plug everything in.

I carry this style of travel adaptor, because it’s self-contained with no parts to break or lose. The ones I own are black but I’d rather have them in a bright colour so I would notice when I am leaving them behind.

I carry the Monster outlets-to-go powerstrip, which is recommended by Larry Brilliant on Kevin Kelly’s wonderful Cool Tools blog. I have the four-outlet version as well as the three-outlet version: the latter is smaller and I’ve never missed having a fourth outlet. And I use these converters to connect the powerstrip to the travel adaptor. This set-up gives me the ability to simultaneously charge three devices from one outlet, which is useful in hotel rooms and has made me lots of friends in conference centres and airports.

All my mobile devices are micro-USB, but I carry a bunch of adaptors anyway: they don’t take up much space and have been useful when I’ve accidentally brought an old mini-USB charger or needed to charge my phone from my laptop.

All my electronic accessories. Neatly bound because cable mess sucks :-)

Use case #3: In the hotel, getting washed and dressed

Clothing: I don’t pack anything that’s bulky or needs ironing or dry-cleaning — I mainly pack unstructured clothes (like knits) in solid neutral colours, and I roll them so they’re compact and don’t wrinkle. I don’t pack like things together –all socks or all T-shirts– instead, I put complete outfits into ziploc bags sorted by date.

Toiletries: I carry a lot of different items, so I aim to keep the amount of each super-small. I buy micro-travel-size items from places like Minimus, and when I can’t get something in a small size, I decant from bigger containers into small leakproof plastic bottles like these from The Container Store. And because leakproof is more aspirational than actual, I pack those bottles into self-sealing waterproof bags. And then I pack those bags, perhaps somewhat freakishly, into a single zippered mesh pouch.

Leakproof bottles in leakproof bags :-)

Use case #4: Out of the hotel, working

I normally just need my laptop and phone, plus chargers. But because my Droid Pro only gets about eight hours out of its extended battery, I also carry an external battery pack which can fully charge my phone at least two or three times before needing a charge itself. It’s a little bulky to carry around, but better than not having connectivity.

Use case #5: Something goes wrong

I’ve got scans of my passport and credit/debit/ID cards online, plus the helpline numbers. I haven’t needed any of this yet, but when I do it’ll be there.

And, I keep a pouch tucked in a corner of my suitcase that holds stuff I won’t normally need, but will be grateful to have if I do. It includes a mini first-aid kit, laundry soap, tiny amounts of painkillers and other medications, a couple of granola bars, a manicure kit, some pressure point tools for stiffness and pain following long flights or long sessions on my laptop, miniature basics –mostly from Muji– like glue and tape and pens, plus a multitool and a few duplicate essentials like phone batteries and chargers. I add something new every now and then, but mostly I don’t touch it or think about it: it just lives in my suitcase.

That’s what I do. If you’ve got more or better hacks for ridiculously-efficient travel, please share them in the comments :-)

Donors Choose thank you letters from kids


This past March at TED we were given $100 gift cards for Donors Choose, the online non-profit that connects donors with American classrooms that need money. I’d heard of Donors Choose, but I’d never donated through them, so I was happy to get a push. I’m not an obvious prospect for their work —I don’t have kids, have no particular interest in the primary school system; I’m not even American— and I probably would never have given, without the card.

So I did some poking around the Donors Choose site, and ended up putting the money towards a Grade 4 science class in New Mexico that wanted to buy a model of the solar system. Frankly I didn’t put a lot of thought into it: I just did a search, made the donation, and forgot all about it.

Months passed. Then last night, when I picked up my mail I had a big envelope from Donors Choose.

Crap!, I thought. They have my address. And now I’ve gotten a big envelope of shiny advertorial spam. I’ll never donate again, but I’ll be on their list forever.

But when I opened the envelope, what spilled out was dozens of handwritten letters from Grade 4 kids, addressed to me. “Sue Gardner,” they wrote, “thank you for the money you sent us.” “You are very nice.” “We worked in pairs on the project. Manuel and I learned a lot.” It was the opposite of direct mail: a bunch of utterly unique, handmade letters complete with creases and smudges, misspellings and crossed-out bits, awkward sentence structure and sloppy handwriting. Not from a fundraising staffer at Donors Choose, but from real kids.

It was awesome. I actually cried a little, it was so cute and so moving.

So I tried to figure out why it worked so well.

1) It was a happy surprise. I had ticked off the box in the donation form asking for letters, but by the time they came I’d forgotten all about them.

2) The letters came from kids, so their lack of perfection made them more appealing, not less. This means nobody from Donors Choose needs, I assume, to do any heavy-handed expensive quality control.

3) It’s actually good for the kids too. My mother used to have her primary school classes sponsor poor kids through World Vision, purely so they would learn about charitable values and the importance of gratitude.

4) There was no ask! It’s irritating to feel obligated and coerced, and it felt great to get something from a non-profit that didn’t do that. It also didn’t trigger transactional feelings in me: the letters weren’t a quid waiting for the quo of a new donation. They felt like a gift: pure pleasure.

5) I hardly ever get handwritten mail, but when I do, it’s pretty much always thank you cards or letters from family. “Handwritten” has purely positive associations.

6) There’s something joyful about handcrafted, tactile, physical objects, especially for those of us who spend a lot of time online. Kids writing something on paper and it coming to me through the postal system feels archaic and surprising, which adds to the charm.

I donate to lots of non-profits, and this was by far the best experience I’ve had.

It’s normal for the donation process itself to feel good, but the experience afterwards generally sucks: you either get a form letter thank you or no thank you at all, and then a series of generic e-mails, seemingly published on a schedule, demanding attention and money. “Policy and Advocacy Update: What’s Happening in Sacramento.” “We Need Your Help For Auction Donations: Help Now.” “Highlighting the Devastating Consequences of the Republican Plan and what you can do.” It’s depressing, it’s exhausting and it’s boring.

So I think there is lots to learn from Donors Choose. I started writing a list, and then I realized it really boils down to one big idea.

Conventional fundraising is inherently oppositional and makes the donor feel bad not good. A situation is dire, your help is urgently required, we will hassle and shame you until you give. That kind of fundraising works, but it doesn’t create a very enjoyable experience for the donor. Nobody opens a fundraising appeal in a spirit of joy and curiosity.

My Donors Choose experience, by contrast was pure pleasure. The package I got was surprising and fun. It didn’t create any social obligation from me. It felt like a gift.

And it worked.

I immediately gave again, a hundred dollars to a seventh grade teacher who wants to buy Judy Blume books for her class. I found myself calculating what I spend on clothes and dinners out, and what proportion I might reasonably divert to Donors Choose. Not just because the kids need my money (although I’m sure it helps them, and I feel great about that), but equally for my own pleasure.

In terms of maximizing my own happiness, Donors Choose was the best hundred dollars I’ve ever spent. Kudos to them: the system they’ve built is great.

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